Museum of Early Pianos
MUSEUM OF EARLY PIANOS “BARTOLOMEO CRISTOFORI”
Open with free admission on the occasion of Concerts at Villa Centanin.
Group visits possible by reservation on days and times to be agreed.
Images of the instruments and music recorded on them can be found on the
Fondazione Musicale Masiero e Centanin Youtube channel.
In some Halls of the Masiero and Centanin Musical Foundation, located at Via degli Ulivi 12 in Arquà Petrarca, in the Euganean Hills in the province of Padua, a collection of 18th and 19th century pianos by famous German, English, French and Italian builders is exhibited.
There are fortepianos, grand pianos, square pianos, upright pianos, and pianos of other unusual shapes, some of which are owned by the Foundation and others come from private collections.
The term Fortepiano, used to indicate the Piano from its early historical period, approximately from its birth to the early years of the 19th century, can still generate some misunderstanding, suggesting that it is a similar but different instrument from the Piano.
In its early evolutionary stage, the piano actually had many names: Gravicembalo che fa il pian e il forte, Cembalo a piano forte, Cembalo di martelletti (Hammerflügel and Hammerklavier in German), Piano-Forte, , to name the most common, and indeed, Fortepiano which was perhaps the most used. It makes a certain sense, therefore, to resurrect the archaic term Fortepiano to indicate the Piano of its origins.
The establishment of the Museum was not only aimed at preserving specimens of historical interest, but also and above all at bringing the instruments back to life, after appropriate restoration, with their technical and sound characteristics and with their expressive means so different from those of modern instruments.
The Museum’s pianos are often used for concerts organized by the Foundation in the Central Hall of Villa Centanin in Arquà Petrarca.
The museum is open on concert days.
Upon appointment, group visits are possible.
Additionally, guided tours are available for Tourist Agencies, Associations, and various levels of Public and Private Schools, Universities, and Conservatories.
Persons with motor disabilities can request to park their vehicle inside the facility by giving advance notice.
Below is the list of early pianos exhibited in Villa Centanin, home of the Foundation in Arquà Petrarca:
AUSTRIA
Pantalon anonimo seconda metà del ‘700
Pantalon anonimo Seconda metà del ‘700 "Pantalon" is
Anton Walter (attr.) End of 18th century – beginning of 19th century.
Walter (attr.) End of 18th century - beginning of
Mathias Müller 1820
Mathias Müller 1820 Mathias Müller (1770-1844), a native
Joachim Ehlers 1818-1820
Joachim Ehlers 1818-1820 Joachim Ehlers, a builder of
Gottlieb Hafner 1830 ca.
Gottlieb Hafner Gottlieb Hafner in Wien bei kenting in
Johan Frenzel 1839
Johan Frenzel 1839 Johann Frenzel (1786-?) lived and
Anton Tomaschek 1845 ca.
Anton Tomaschek in Wien 1845 ca. The Tomaschek
Ignaz Bösendorfer 1847
Ignaz Bösendorfer J. Bösendorfer Kaiserl. Königl. Hof Pianos Verfertiger
Johann Baptist Streicher 1873
Johann Baptist Streicher J.B. Streicher & Sohn / K.K
J. Heitzmann & Sohn 1880
J. Heitzmann & Sohn 1875 ca. Johann Heitzmann
FRANCE
P. A. Daniel Bernhardt 1835
P. A. Daniel Bernhardt P. Bernhardt Facteur du Roi
Soufleto & C. 1840 ca.
Soufleto & C. Medaille d’Argent de 1834 et 1839
Boisselot et Fils 1845
Boisselot et Fils Marseille 1840 Jean-Louis Boisselot (1782-1847)
L.Y. Aucher 1850
L.Y. Aucher donated by Barbara Cesaro Fabio Copercini Andrea
Ignace Pleyel e C. 1849-1850
Ignace Pleyel e C. (1850) Ignace Pleyel & Comp.ie
Erard Paris 1856
Erard Paris 1856 Donated by ENRICO GIOVENE Sébastien
Erard Paris 1860
Erard Paris 1860 Sébastien Erard (1752-1831) was perhaps
GERMANY
Tangentenflügel Spåth & Schmall 1780 ca.
Tangentenflügel Spåth & Schmall 1780 The term Tangentenflügel
Anonimo (Germania del Nord) 1820
Anonimo (Germania del Nord) 1820 ca. The first
Anault Kunstmann 1830 ca.
Anault Kunstmann Anault Kunstmann in Cottbus ca. 1830.
Heinrich Langenhan 1830 ca.
Heinrich Langenhan in Gotha 1825 ca. Non si
Heinrich Roloff 1840
Heinrich Roloff Neubrandenburg (ca. 1840) Il presente esemplare
Gottfried Perau 1845
Gottfried Perau inscription: G. Perau Berlin 1845 Donazione Ditta
ENGLAND
Gabriel Buntebart 1778
Gabriel Buntebart Inscription: Gabriel Buntebart & Co fecerunt Londini
John Broadwood 1785
John Broadwood Johannes Broadwood London Fecit 1785 Patent Great
Muzio Clementi 1820
Muzio Clementi New Patent Clementi & Co Cheapside London
Erard London 1850
Erard London Erard n. 2563 (numerazione londinese) 1850
Robert Wornum 1850 ca.
Robert Wornum (ca. 1848) Pocket Albion Grand/invented and manifactured
John Broadwood 1873
John Broadwood Budoir Grand 1873 John Broadwood (1732-1812)
Dulcitone T. Machell XIX sec.
Dulcitone T. Machell 2nd half of the 19th century.
ITALY
Luigi Hoffer 1810-1815
Luigi Hoffer 1810-1815 Luigi Hoffer Venezia Fabbricatore di Piano
Luigi Hoffer 1820
Luigi Hoffer Luigi Hoffer Venezia Fabbricatore di Piano Forti
Gregorio Trentin (attr.) 1837
Gregorio Trentin (attr.) AUTORE IGNOTO attr. Gregorio Trentin (1837)
Gregorio Trentin 1830
Gregorio Trentin (attr. 1830 ca.) Prominent among the
Giuseppe Berzioli 1850
Giuseppe Berzioli Parma 1850 ca. inscription GIUSEPPE BERZIOLI /con
Crystal Piano Anonymous
Crystal Crystal Piano Anonymous first half of the 19th
G. Ferdinando Sievers 1845 ca.
Giacomo Ferdinando Sievers Breveté du Roi Naples n. 277
Nicolò Lachin modello Pleyel 1856
Nicolò Lachin modello Pleyel Medaglie d’oro 1854 dall’Imp. Rg.
Nicolò Lachin 1860
Nicolò Lachin Inscription: Nicolò Lachin /Medaglie d’oro 1854 dall’Imp.
G. Ferdinando Sievers 1872
Giacomo Ferdinando Sievers Sievers 1872 Inscriptions :SIEVERS / bréveté
G. Ferdinando Sievers 1863
Giacomo Ferdinando Sievers medaille d'or et d'argente / Breveté
Vincenzo Maltarello 1867
Vincenzo Maltarello 1867 Inscription: Vincenzo Maltarello in Vicenza n.