{"id":4155,"date":"2025-01-02T16:44:41","date_gmt":"2025-01-02T15:44:41","guid":{"rendered":"https:\/\/www.fondazionemusicale.it\/portfolio-items\/gottlieb-hafner-1830-ca\/"},"modified":"2025-01-14T14:03:43","modified_gmt":"2025-01-14T13:03:43","slug":"gottlieb-hafner-1830-ca","status":"publish","type":"avada_portfolio","link":"https:\/\/www.fondazionemusicale.it\/en\/portfolio-items\/gottlieb-hafner-1830-ca\/","title":{"rendered":"Gottlieb Hafner 1830 ca."},"content":{"rendered":"

Gottlieb Hafner<\/strong><\/span><\/h2>\n

Gottlieb Hafner in Wien\u00a0 bei kenting in Verona (1830 ca.)<\/p>\n<\/div>

<\/span><\/div>

Gottlieb Hafner nato a Vienna nel 1787 divenne costruttore professionale di strumenti a tastiera nel 1830 nella sua citt\u00e0, dove svolse sempre la sua attivit\u00e0, diventando nel 1840 direttore della Societ\u00e0 dei costruttori di pianoforti.
\nLa sua fama si estese anche in Italia dove, a Verona, ebbe una casa di rappresentanza.<\/p>\n

Giacomo Ferdinando Sievers, born in St Petersburg in the early nineteenth century but a naturalised Italian citizen, was one of that century\u2019s foremost piano makers. He was often invited to be a member of the jury in competitions held at the great exhibitions in Paris, and was the author of the nineteenth century\u2019s most exhaustive dissertation on pianoforte building:
\nIl Pianoforte \/ Guida pratica per costruttori, accordatori, dilettanti e possessori di pianoforti, published in Naples in 1868.
\nHere Sievers set out the structural criteria of the different European schools of piano making, and he also devoted ample space to defining in depth the main aesthetic and functional features of the pianoforte in his day.
\nHe founded a factory in Naples where he produced high-quality grand pianos, table pianos and upright pianos; however, few have survived to the present day.<\/p>\n

Like most Italian piano factories, Sievers adopts both Viennese construction criteria derived from the Stein model and Anglo-French ones, inspired by Cristofori’s mechanics .<\/p>\n

inscription: SIEVERS \/ br\u00e9vet\u00e9 du Roy \/ medaille d’or et d’argent \/ Naples 1872<\/p>\n

style<\/em>: grand
\nlength<\/em>.: cm.207
\nwidth<\/em> : cm 136
\nheigth (floor to Keyboard<\/em>: cm 67,5
\ncompass<\/em>: AAA-a””
\noctave size<\/em>: cm. 16,5
\nwrest pins<\/em>: square
\nbridge<\/em>: divided E – F
\ncapotasto<\/em>: f#”’-a””
\naction<\/em>: prellmechanick
\nhammer covering<\/em>: felt and lambskin
\nstrings<\/em>: AAA – EE 1 chord (spun) \/ FF-E bychord (spun) \/ F-a”” trychord (iron)
\npedals<\/em>: 2 (dampers, shift )
\nstructure<\/em>: 4 metal bars<\/p>\n<\/div>

<\/i>click here to listen : Schubert \u2013 Rond\u00f2 \u2013 Franco Angeleri e Micaela Mingardo \u2013 Pianoforte G. Hafner 1825-1830<\/span><\/a><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":3308,"menu_order":6,"comment_status":"open","ping_status":"closed","template":"","format":"standard","meta":{"footnotes":""},"portfolio_category":[56,51],"portfolio_skills":[],"portfolio_tags":[],"class_list":["post-4155","avada_portfolio","type-avada_portfolio","status-publish","format-standard","has-post-thumbnail","hentry","portfolio_category-austria-en","portfolio_category-pianos"],"_links":{"self":[{"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/avada_portfolio\/4155","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/avada_portfolio"}],"about":[{"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/types\/avada_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/comments?post=4155"}],"version-history":[{"count":2,"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/avada_portfolio\/4155\/revisions"}],"predecessor-version":[{"id":4157,"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/avada_portfolio\/4155\/revisions\/4157"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/media\/3308"}],"wp:attachment":[{"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/media?parent=4155"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/portfolio_category?post=4155"},{"taxonomy":"portfolio_skills","embeddable":true,"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/portfolio_skills?post=4155"},{"taxonomy":"portfolio_tags","embeddable":true,"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/portfolio_tags?post=4155"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}