{"id":4102,"date":"2025-01-03T08:49:26","date_gmt":"2025-01-03T07:49:26","guid":{"rendered":"https:\/\/www.fondazionemusicale.it\/portfolio-items\/ignace-pleyel-e-c-1849-1850\/"},"modified":"2025-01-14T11:11:51","modified_gmt":"2025-01-14T10:11:51","slug":"ignace-pleyel-e-c-1849-1850","status":"publish","type":"avada_portfolio","link":"https:\/\/www.fondazionemusicale.it\/en\/portfolio-items\/ignace-pleyel-e-c-1849-1850\/","title":{"rendered":"Ignace Pleyel e C. 1849-1850"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:calc( 1100px + );margin-left: calc(- \/ 2 );margin-right: calc(- \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-margin-bottom-large:0px;--awb-width-medium:100%;--awb-order-medium:0;--awb-width-small:100%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><h2><span style=\"color: #000000;\"><strong>Ignace Pleyel e C.<\/strong><\/span><\/h2>\n<p>(1850)<br \/>\nIgnace Pleyel &amp; Comp.ie Paris<br \/>\nM\u00e9daille d\u2019or 1827 \u2013 39 \u2013 44 hors de Concours 1849<\/p>\n<\/div><div class=\"fusion-image-element\" style=\"--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-none\"><img decoding=\"async\" width=\"1200\" height=\"900\" src=\"https:\/\/www.fondazionemusicale.it\/wp-content\/uploads\/2025\/01\/Pleyel1850-1200.jpg\" data-orig-src=\"https:\/\/www.fondazionemusicale.it\/wp-content\/uploads\/2025\/01\/Pleyel1850-1200.jpg\" alt class=\"lazyload img-responsive wp-image-3336\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%27900%27%20viewBox%3D%270%200%201200%20900%27%3E%3Crect%20width%3D%271200%27%20height%3D%27900%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/www.fondazionemusicale.it\/wp-content\/uploads\/2025\/01\/Pleyel1850-1200-200x150.jpg 200w, https:\/\/www.fondazionemusicale.it\/wp-content\/uploads\/2025\/01\/Pleyel1850-1200-400x300.jpg 400w, https:\/\/www.fondazionemusicale.it\/wp-content\/uploads\/2025\/01\/Pleyel1850-1200-600x450.jpg 600w, https:\/\/www.fondazionemusicale.it\/wp-content\/uploads\/2025\/01\/Pleyel1850-1200-800x600.jpg 800w, https:\/\/www.fondazionemusicale.it\/wp-content\/uploads\/2025\/01\/Pleyel1850-1200.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 1024px) 100vw, (max-width: 640px) 100vw, 1200px\" \/><\/span><\/div><div class=\"fusion-text fusion-text-2\" style=\"--awb-margin-top:30px;\"><p style=\"text-align: justify;\">The Pleyel pianoforte is inseparably linked with the name of Chopin. He, the greatest composer ever of music for pianoforte, held this instrument to be the &#8220;non plus ultra&#8221; (the most excellent), saying that it suited his artistic demands better than Erard\u2019s instrument.<\/p>\n<p style=\"text-align: justify;\">The characteristic sound of the Pleyel piano in the Romantic period is determined by the delicacy and clarity of its sonority.<\/p>\n<p style=\"text-align: justify;\">The action of this instrument follows the lines of the English model, but with different parameters and ratios between the various elements; and \u2013 unlike the pianos built in England during the same period \u2013 it is lighter and more sensitive.<\/p>\n<p style=\"text-align: justify;\">When pressing the keys of an instrument with English or Viennese action, the pianist has the clear and immediate sensation of pushing the hammer against the string, while in modern Erard-derived piano action this sensation is less noticeable.<\/p>\n<p style=\"text-align: justify;\">n. 16058<br \/>\n<em>style<\/em>: grand<br \/>\n<em>lenght<\/em>: cm. 212,5<br \/>\n<em>width:<\/em> cm. 130<br \/>\n<em>height (floor to keyboard):<\/em> cm. 71<br \/>\n<em>compass:<\/em> CC-a&#8221;&#8221;<br \/>\n<em>octave size:<\/em> cm. 16,35<br \/>\n<em>strings:<\/em> (CC \/ C bichord\u00a0 brass winding)\u00a0\u00a0 C# \/ E (trichord brass winding) F# \/ a&#8221;&#8221; (iron)<br \/>\n<em>bridge:<\/em> divided E\/F<br \/>\n<em>capotasto:<\/em> g&#8221;&#8217; \/ a&#8221;&#8221;<br \/>\n<em>action:<\/em> Anglo-French<br \/>\n<em>hammer covering: <\/em>Felt, two underfelt layers<br \/>\n<em>wrest pins: <\/em>square<br \/>\n<em>pedals:<\/em> shift, dampers<br \/>\n<em>structure:<\/em>\u00a0Hitchpin Rail and 4 bars in metal<br \/>\n<em>case:<\/em> Thuja<\/p>\n<\/div><div style=\"text-align:left;\"><a class=\"fusion-button button-flat fusion-button-default-size button-custom fusion-button-default button-1 fusion-button-default-span fusion-button-default-type\" style=\"--awb-margin-top:30px;--awb-margin-bottom:30px;--button_accent_color:var(--awb-color1);--button_accent_hover_color:var(--awb-color5);--button_border_hover_color:var(--awb-color4);--button_gradient_top_color:var(--awb-color3);--button_gradient_bottom_color:var(--awb-color3);--button_gradient_top_color_hover:hsla(var(--awb-color4-h),var(--awb-color4-s),calc(var(--awb-color4-l) - 10%),var(--awb-color4-a));--button_gradient_bottom_color_hover:hsla(var(--awb-color4-h),var(--awb-color4-s),calc(var(--awb-color4-l) - 10%),var(--awb-color4-a));\" target=\"_blank\" rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/watch?v=zk8NSn9Njf8\"><i class=\"fa-music fas awb-button__icon awb-button__icon--default button-icon-left\" aria-hidden=\"true\"><\/i><span class=\"fusion-button-text awb-button__text awb-button__text--default\">click here to listen : Chopin \u2013 Notturno op. 9 n. 1 \u2013 Franco Angeleri, pianoforte Pleyel 1850<\/span><\/a><\/div><div style=\"text-align:left;\"><a class=\"fusion-button button-flat fusion-button-default-size button-custom fusion-button-default button-2 fusion-button-default-span fusion-button-default-type\" style=\"--awb-margin-top:30px;--awb-margin-bottom:30px;--button_accent_color:var(--awb-color1);--button_accent_hover_color:var(--awb-color5);--button_border_hover_color:var(--awb-color4);--button_gradient_top_color:var(--awb-color3);--button_gradient_bottom_color:var(--awb-color3);--button_gradient_top_color_hover:hsla(var(--awb-color4-h),var(--awb-color4-s),calc(var(--awb-color4-l) - 10%),var(--awb-color4-a));--button_gradient_bottom_color_hover:hsla(var(--awb-color4-h),var(--awb-color4-s),calc(var(--awb-color4-l) - 10%),var(--awb-color4-a));\" target=\"_blank\" rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/watch?v=FgUEBhzn5y4\"><i class=\"fa-music fas awb-button__icon awb-button__icon--default button-icon-left\" aria-hidden=\"true\"><\/i><span class=\"fusion-button-text awb-button__text awb-button__text--default\">click here to listen : Chopin \u2013 Studio op. 10 n. 3 \u2013 Franco Angeleri, pianoforte Pleyel 1850<\/span><\/a><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":3335,"menu_order":5,"comment_status":"open","ping_status":"closed","template":"","format":"standard","meta":{"footnotes":""},"portfolio_category":[57,51],"portfolio_skills":[],"portfolio_tags":[],"class_list":["post-4102","avada_portfolio","type-avada_portfolio","status-publish","format-standard","has-post-thumbnail","hentry","portfolio_category-france","portfolio_category-pianos"],"_links":{"self":[{"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/avada_portfolio\/4102","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/avada_portfolio"}],"about":[{"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/types\/avada_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/comments?post=4102"}],"version-history":[{"count":2,"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/avada_portfolio\/4102\/revisions"}],"predecessor-version":[{"id":4104,"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/avada_portfolio\/4102\/revisions\/4104"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/media\/3335"}],"wp:attachment":[{"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/media?parent=4102"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/portfolio_category?post=4102"},{"taxonomy":"portfolio_skills","embeddable":true,"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/portfolio_skills?post=4102"},{"taxonomy":"portfolio_tags","embeddable":true,"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/portfolio_tags?post=4102"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}