{"id":4076,"date":"2025-01-07T18:08:21","date_gmt":"2025-01-07T17:08:21","guid":{"rendered":"https:\/\/www.fondazionemusicale.it\/portfolio-items\/gregorio-trentin-attr-1837\/"},"modified":"2025-01-14T09:41:58","modified_gmt":"2025-01-14T08:41:58","slug":"gregorio-trentin-attr-1837","status":"publish","type":"avada_portfolio","link":"https:\/\/www.fondazionemusicale.it\/en\/portfolio-items\/gregorio-trentin-attr-1837\/","title":{"rendered":"Gregorio Trentin (attr.) 1837"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:calc( 1100px + );margin-left: calc(- \/ 2 );margin-right: calc(- \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-margin-bottom-large:0px;--awb-width-medium:100%;--awb-order-medium:0;--awb-width-small:100%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><h2><span style=\"color: #000000;\"><strong>Gregorio Trentin (attr.)<\/strong><\/span><\/h2>\n<p>AUTORE IGNOTO<br \/>\nattr. Gregorio Trentin (1837)<br \/>\nDonated by Fabio Copercini and Andrea Giuseppin<\/p>\n<\/div><div class=\"fusion-image-element\" style=\"--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-none\"><img decoding=\"async\" width=\"1200\" height=\"787\" title=\"Trentin attr..1837-1200\" src=\"https:\/\/www.fondazionemusicale.it\/wp-content\/uploads\/2025\/01\/Trentin-attr.1837-1200.jpg\" data-orig-src=\"https:\/\/www.fondazionemusicale.it\/wp-content\/uploads\/2025\/01\/Trentin-attr.1837-1200.jpg\" alt class=\"lazyload img-responsive wp-image-3890\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%27787%27%20viewBox%3D%270%200%201200%20787%27%3E%3Crect%20width%3D%271200%27%20height%3D%27787%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/www.fondazionemusicale.it\/wp-content\/uploads\/2025\/01\/Trentin-attr.1837-1200-200x131.jpg 200w, https:\/\/www.fondazionemusicale.it\/wp-content\/uploads\/2025\/01\/Trentin-attr.1837-1200-400x262.jpg 400w, https:\/\/www.fondazionemusicale.it\/wp-content\/uploads\/2025\/01\/Trentin-attr.1837-1200-600x394.jpg 600w, https:\/\/www.fondazionemusicale.it\/wp-content\/uploads\/2025\/01\/Trentin-attr.1837-1200-800x525.jpg 800w, https:\/\/www.fondazionemusicale.it\/wp-content\/uploads\/2025\/01\/Trentin-attr.1837-1200.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 1024px) 100vw, (max-width: 640px) 100vw, 1200px\" \/><\/span><\/div><div class=\"fusion-text fusion-text-2\" style=\"--awb-margin-top:30px;\"><p style=\"text-align: justify;\">Some writing appears on the central rib under the soundboard of this instrument; it is difficult to read, but the last words are clear:<em> &#8230; in Conselve 1837<\/em>.<\/p>\n<p style=\"text-align: justify;\">It is reasonable to assume that the instrument was made by Gregorio Trentin, the only organ and piano manufacturer who worked in Conselve, near Padova; he was famous in his day for a number of\u00a0 ingenious inventions, which he later patented, to be applied to his instruments.<\/p>\n<p style=\"text-align: justify;\">There is another\u00a0\u00a0 under the soundboard, which reads: Renovated by me, Paolo Fabris in Padova 1850.<\/p>\n<p style=\"text-align: justify;\">The damper bar has been restructured, probably \u2013 deducing from a few words written inside the instrument \u2013 by a piano renovator from Cartura, near Padova.<\/p>\n<p style=\"text-align: justify;\">The action is the simplest of those in use at the time: an English action with a pin attached to the key, which drives the hammer directly against the string, without escapement. In its simplicity, this is a very sensitive and effective action, but it requires great delicacy of touch.<\/p>\n<p style=\"text-align: justify;\">Nicol\u00f2 Lachin of Padova learned the art of piano-building from Gregorio Trentin.<\/p>\n<p style=\"text-align: justify;\"><em>style:<\/em> square<br \/>\n<em>width:<\/em> cm.169<br \/>\n<em>dept:<\/em> cm. 72<br \/>\n<em>height (floor to keyboard):<\/em> cm. 69,5<br \/>\n<em>compass:<\/em> FF-f&#8221;&#8221;<br \/>\n<em>octave size:<\/em> cm. 16<br \/>\n<em>strings:<\/em> FF-C (1 string open-spun brass winding) C#_B (bichord brass) c-f&#8221;&#8221; (bichord iron)<br \/>\n<em>bridge:<\/em> divided C\/C#<br \/>\n<em>wret pins: <\/em>rectangular<br \/>\n<em>action:<\/em>\u00a0 single english<br \/>\n<em>hammer covering:<\/em> leater<br \/>\n<em>pedals:<\/em> dampers<br \/>\n<em>structure:<\/em>\u00a0 wood<br \/>\n<em>case:<\/em>\u00a0 walnut<\/p>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":3888,"menu_order":2,"comment_status":"open","ping_status":"closed","template":"","format":"standard","meta":{"footnotes":""},"portfolio_category":[58,51],"portfolio_skills":[],"portfolio_tags":[],"class_list":["post-4076","avada_portfolio","type-avada_portfolio","status-publish","format-standard","has-post-thumbnail","hentry","portfolio_category-italy","portfolio_category-pianos"],"_links":{"self":[{"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/avada_portfolio\/4076","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/avada_portfolio"}],"about":[{"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/types\/avada_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/comments?post=4076"}],"version-history":[{"count":2,"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/avada_portfolio\/4076\/revisions"}],"predecessor-version":[{"id":4078,"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/avada_portfolio\/4076\/revisions\/4078"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/media\/3888"}],"wp:attachment":[{"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/media?parent=4076"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/portfolio_category?post=4076"},{"taxonomy":"portfolio_skills","embeddable":true,"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/portfolio_skills?post=4076"},{"taxonomy":"portfolio_tags","embeddable":true,"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/portfolio_tags?post=4076"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}