{"id":4064,"date":"2025-01-03T09:16:00","date_gmt":"2025-01-03T08:16:00","guid":{"rendered":"https:\/\/www.fondazionemusicale.it\/portfolio-items\/erard-paris-1856\/"},"modified":"2025-01-14T09:32:35","modified_gmt":"2025-01-14T08:32:35","slug":"erard-paris-1856","status":"publish","type":"avada_portfolio","link":"https:\/\/www.fondazionemusicale.it\/en\/portfolio-items\/erard-paris-1856\/","title":{"rendered":"Erard Paris 1856"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:calc( 1100px + );margin-left: calc(- \/ 2 );margin-right: calc(- \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-margin-bottom-large:0px;--awb-width-medium:100%;--awb-order-medium:0;--awb-width-small:100%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><h2><span style=\"color: #000000;\"><strong>Erard Paris<\/strong><\/span><\/h2>\n<p>1856<br \/>\nDonated by ENRICO GIOVENE<\/p>\n<\/div><div class=\"fusion-image-element\" style=\"--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-none\"><img decoding=\"async\" width=\"1368\" height=\"1417\" src=\"https:\/\/www.fondazionemusicale.it\/wp-content\/uploads\/2025\/01\/Erard-1856-ok.jpg\" data-orig-src=\"https:\/\/www.fondazionemusicale.it\/wp-content\/uploads\/2025\/01\/Erard-1856-ok.jpg\" alt class=\"lazyload img-responsive wp-image-3348\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271368%27%20height%3D%271417%27%20viewBox%3D%270%200%201368%201417%27%3E%3Crect%20width%3D%271368%27%20height%3D%271417%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/www.fondazionemusicale.it\/wp-content\/uploads\/2025\/01\/Erard-1856-ok-200x207.jpg 200w, https:\/\/www.fondazionemusicale.it\/wp-content\/uploads\/2025\/01\/Erard-1856-ok-400x414.jpg 400w, https:\/\/www.fondazionemusicale.it\/wp-content\/uploads\/2025\/01\/Erard-1856-ok-600x621.jpg 600w, https:\/\/www.fondazionemusicale.it\/wp-content\/uploads\/2025\/01\/Erard-1856-ok-800x829.jpg 800w, https:\/\/www.fondazionemusicale.it\/wp-content\/uploads\/2025\/01\/Erard-1856-ok-1200x1243.jpg 1200w, https:\/\/www.fondazionemusicale.it\/wp-content\/uploads\/2025\/01\/Erard-1856-ok.jpg 1368w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 1024px) 100vw, (max-width: 640px) 100vw, 1200px\" \/><\/span><\/div><div class=\"fusion-text fusion-text-2\" style=\"--awb-margin-top:30px;\"><p style=\"text-align: justify;\">S\u00e9bastien Erard (1752-1831) was perhaps the most famous of all harp makers and the greatest innovator in the building of piano actions. His two most important patents were for agraffes (threaded brass or bronze studs with holes through which the strings pass before being wound on the tuning pins) and the double escapement (also called double repetition).<\/p>\n<p style=\"text-align: justify;\">Erard built his first grand piano in Paris in about 1790 and later worked in England. His pianos were greatly appreciated by Beethoven, Liszt, Chopin, and Mendelssohn.<\/p>\n<p style=\"text-align: justify;\">The Erard company carried on his work in London and Paris with the aid of S\u00e9bastien\u2019s brother Jean-Baptiste and Jean-Baptiste\u2019s son Pierre-Orph\u00e9e.<\/p>\n<p style=\"text-align: justify;\">n. 28283<br \/>\n<em>style:<\/em> grand<br \/>\n<em>lenght:<\/em> cm. 247<br \/>\n<em>width:<\/em> cm. 140<br \/>\n<em>height (floor to keyboard):<\/em> cm. 70<br \/>\n<em>compass:<\/em> AAA- a&#8221;&#8221;<br \/>\n<em>octave size:<\/em> cm. 16,6<br \/>\n<em>strings:<\/em> AAA-FF (1str. brass winding) FF#-C# (bichord brass winding) D-a&#8221;&#8221; (iron)<br \/>\n<em>bridge:<\/em> divided C#\/D<br \/>\n<em>capotasto: <\/em>f#&#8221;-a&#8221;&#8221;<br \/>\n<em>action:<\/em> original Erard<br \/>\n<em>hammer covering:<\/em> original Erard<br \/>\n<em>pedals:<\/em> shift, dampers<br \/>\n<em>structure:<\/em>\u00a0 6 bars<br \/>\n<em>case:<\/em> rosewood<\/p>\n<\/div><div style=\"text-align:left;\"><a class=\"fusion-button button-flat fusion-button-default-size button-custom fusion-button-default button-1 fusion-button-default-span fusion-button-default-type\" style=\"--awb-margin-top:30px;--awb-margin-bottom:30px;--button_accent_color:var(--awb-color1);--button_accent_hover_color:var(--awb-color5);--button_border_hover_color:var(--awb-color4);--button_gradient_top_color:var(--awb-color3);--button_gradient_bottom_color:var(--awb-color3);--button_gradient_top_color_hover:hsla(var(--awb-color4-h),var(--awb-color4-s),calc(var(--awb-color4-l) - 10%),var(--awb-color4-a));--button_gradient_bottom_color_hover:hsla(var(--awb-color4-h),var(--awb-color4-s),calc(var(--awb-color4-l) - 10%),var(--awb-color4-a));\" target=\"_blank\" rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/watch?v=sEN4fIBYcW8\"><i class=\"fa-music fas awb-button__icon awb-button__icon--default button-icon-left\" aria-hidden=\"true\"><\/i><span class=\"fusion-button-text awb-button__text awb-button__text--default\">click here to listen : Chopin \u2013 Polonaise in do diesis minore op. 26 n. 1 \u2013 Franco Angeleri, pianoforte Erard 1856<\/span><\/a><\/div><div style=\"text-align:left;\"><a class=\"fusion-button button-flat fusion-button-default-size button-custom fusion-button-default button-2 fusion-button-default-span fusion-button-default-type\" style=\"--awb-margin-top:30px;--awb-margin-bottom:30px;--button_accent_color:var(--awb-color1);--button_accent_hover_color:var(--awb-color5);--button_border_hover_color:var(--awb-color4);--button_gradient_top_color:var(--awb-color3);--button_gradient_bottom_color:var(--awb-color3);--button_gradient_top_color_hover:hsla(var(--awb-color4-h),var(--awb-color4-s),calc(var(--awb-color4-l) - 10%),var(--awb-color4-a));--button_gradient_bottom_color_hover:hsla(var(--awb-color4-h),var(--awb-color4-s),calc(var(--awb-color4-l) - 10%),var(--awb-color4-a));\" target=\"_blank\" rel=\"noopener noreferrer\" href=\"https:\/\/www.youtube.com\/watch?v=3CoO6_M7fVg\"><i class=\"fa-music fas awb-button__icon awb-button__icon--default button-icon-left\" aria-hidden=\"true\"><\/i><span class=\"fusion-button-text awb-button__text awb-button__text--default\">click here to listen : Chopin \u2013 Polonaise in mi bem. min. op. 26 n. 2 \u2013 Franco Angeleri, pianoforte Erard 1856<\/span><\/a><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":3347,"menu_order":11,"comment_status":"open","ping_status":"closed","template":"","format":"standard","meta":{"footnotes":""},"portfolio_category":[57,51],"portfolio_skills":[],"portfolio_tags":[],"class_list":["post-4064","avada_portfolio","type-avada_portfolio","status-publish","format-standard","has-post-thumbnail","hentry","portfolio_category-france","portfolio_category-pianos"],"_links":{"self":[{"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/avada_portfolio\/4064","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/avada_portfolio"}],"about":[{"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/types\/avada_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/comments?post=4064"}],"version-history":[{"count":2,"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/avada_portfolio\/4064\/revisions"}],"predecessor-version":[{"id":4066,"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/avada_portfolio\/4064\/revisions\/4066"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/media\/3347"}],"wp:attachment":[{"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/media?parent=4064"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/portfolio_category?post=4064"},{"taxonomy":"portfolio_skills","embeddable":true,"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/portfolio_skills?post=4064"},{"taxonomy":"portfolio_tags","embeddable":true,"href":"https:\/\/www.fondazionemusicale.it\/en\/wp-json\/wp\/v2\/portfolio_tags?post=4064"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}